{"id":3757,"date":"2026-05-30T15:28:30","date_gmt":"2026-05-30T13:28:30","guid":{"rendered":"https:\/\/www2.reinhardstammerart.com\/index.php\/2026\/05\/30\/about-reinhard-stammer\/"},"modified":"2026-06-03T15:33:53","modified_gmt":"2026-06-03T13:33:53","slug":"about-reinhard-stammer","status":"publish","type":"post","link":"https:\/\/reinhardstammerart.com\/en\/index.php\/2026\/05\/30\/about-reinhard-stammer\/","title":{"rendered":"About Reinhard Stammer"},"content":{"rendered":"
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Reinhard Stammer in his studio in front of “Catwoman”200 \u00d7 260 cm \u00b7 2011<\/figcaption><\/figure>\n<\/div>\n

Art without filter. Emotion as color. \u201cEvery line carries the memory of a storm.\u201d Karl Kinsky <\/p>\n\n

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Searching for a sense, made me not look better 40 x 30 cm on paper 1968<\/figcaption><\/figure>\n<\/div>\n

Artistic Position<\/strong> \u2013 The nature of Reinhard Stammer’s work stands at the threshold between Art Brut and Neo-Expressionism.<\/p>\n\n

What was born from the unconscious as “raw art” in Jean Dubuffet’s time transforms in Stammer’s work into a consciously lived, artistically reflected principle. His painting remains untamed, yet it speaks the language of experience. Stammer does not paint to please or to explain. He paints to survive, to remember, to transform. For him, color becomes emotion, line becomes a trace, surface becomes inner space. His figures, signs, and fragments are like archaeological layers of a soul \u2013 remnants of experiences, wounds, insights.<\/p>\n\n

His works preserve the raw authenticity of Art Brut, but they articulate themselves in the gestural, conscious language of contemporary Expressionism. Each canvas is a place of confrontation \u2013 between control and chaos, between thought and feeling, between memory and presence. Thus, Stammer creates an oeuvre that is both personal and universal: an archaeology of emotion, a cartography of human existence<\/p>\n\n

Artistic Position<\/strong> \u2013 Between Art Brut and Neo-Expressionism <\/p>\n\n

Reinhard Stammer\u2019s art stands at the threshold between Art Brut and Neo-Expressionism. What emerged in Jean Dubuffet\u2019s time as a \u201craw art\u201d born from the subconscious, becomes in Stammer\u2019s work a consciously lived artistic principle. His paintings remain untamed, yet they speak the language of experience. He does not paint to please or to explain \u2013 he paints to survive, to remember, to transform. Colour becomes emotion, line becomes trace, and surface becomes inner space. His figures, symbols, and fragments are like archaeological layers of the soul \u2014remnants of what has been lived, hurt, and understood.<\/p>\n\n

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Photo by Axel RuskeGreat Artists of Mallorca<\/a> by Axel Ruske<\/a><\/figcaption><\/figure>\n\n

Stammer\u2019s works retain the raw authenticity of Art Brut while articulating themselves through the conscious, gestural language of contemporary expressionism. Each canvas is a confrontation between control and chaos, intellect and instinct, memory and presence. His oeuvre is both personal and universal: an archaeology of emotion, a map of the human condition. <\/p>\n\n

Text Karl Kinsky<\/a><\/p>\n

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Shoot with AxelRuske<\/a> for the book \u201cGreat Artists of Mallorca\u201d<\/a><\/strong>, released in 2025 Concept: Artist portrait and their works. Photo and copyright by Axel Ruske <\/figcaption><\/figure>\n<\/div>\n

Short Vita<\/strong><\/p>\n\n

Reinhard Stammer was born on July 25th 1952 in Gl\u00fccksburg \u2013 close to the Baltic Sea (Germany). He lived a very experimental life with many ups and downs.The desire to express himself artistically was instilled in him from birth.He wrote many poems and a book that he never published, because he was more focusing on painting. At the age of 33, he founded the P.A.R.C.-Verlag; a publishing house, which he sold at the age of 55 to devote more attention to a life-threatening illness. He began painting more intensively, which certainly helped him to heal from the illness, as also did the treatment of his wife, who, as a successful homeopath, devoted all her knowledge and skills to him. He quickly found galleries at home and abroad that exhibited his highly expressive works. In 2021, at the height of the so called coronavirus pandemic as mandatory vaccination becomes increasingly likely, he and his wife moved to Mallorca. Here he worked together with AT Kinsky in Port d\u2019Andratx . This collaboration found its end in March 2026.<\/p>\n\n

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Reinhard Stammer\u2019s art stands at the threshold between Art Brut and Neo-Expressionism. What emerged in Jean Dubuffet\u2019s time as a \u201craw art\u201d born from the subconscious, becomes in Stammer\u2019s work a consciously lived artistic principle. His paintings remain untamed, yet they speak the language of experience. He does not paint to please or to explain \u2013 he paints to survive, to remember, to transform. Colour becomes emotion, line becomes trace, and surface becomes inner space. His figures, symbols, and fragments are like archaeological layers of the soul \u2014remnants of what has been lived, hurt, and understood.<\/p>\n\n

Member of AVAM<\/a><\/strong> since 2025<\/p>\n\n

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Art without filter. Emotion as color. \u201cEvery line carries the memory of a storm.\u201d Karl Kinsky Artistic Position \u2013 The nature of Reinhard Stammer’s work stands at the threshold between Art Brut and Neo-Expressionism. What was born from the unconscious as “raw art” in Jean Dubuffet’s time transforms in Stammer’s work into a consciously lived, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[78],"tags":[],"class_list":["post-3757","post","type-post","status-publish","format-standard","hentry","category-ueberreinhardstammer"],"acf":[],"_links":{"self":[{"href":"https:\/\/reinhardstammerart.com\/en\/index.php\/wp-json\/wp\/v2\/posts\/3757","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reinhardstammerart.com\/en\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reinhardstammerart.com\/en\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reinhardstammerart.com\/en\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reinhardstammerart.com\/en\/index.php\/wp-json\/wp\/v2\/comments?post=3757"}],"version-history":[{"count":4,"href":"https:\/\/reinhardstammerart.com\/en\/index.php\/wp-json\/wp\/v2\/posts\/3757\/revisions"}],"predecessor-version":[{"id":4939,"href":"https:\/\/reinhardstammerart.com\/en\/index.php\/wp-json\/wp\/v2\/posts\/3757\/revisions\/4939"}],"wp:attachment":[{"href":"https:\/\/reinhardstammerart.com\/en\/index.php\/wp-json\/wp\/v2\/media?parent=3757"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reinhardstammerart.com\/en\/index.php\/wp-json\/wp\/v2\/categories?post=3757"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reinhardstammerart.com\/en\/index.php\/wp-json\/wp\/v2\/tags?post=3757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}